Mournful piano ballads lead into deceptively uptempo songs.Mitskis sorgfältig komponierte Lieder wurden oft als emotional raue, überquellende Geständnisse eines fiebrigen Mädchens dargestellt, aber in ihrem fünften Album ,Be The Cowboy“ stellt Mitski eine Persona vor, die vorher angedeutet wurde, aber bis jetzt noch nie so präsent war – eine Frau mit völliger Kontrolle. ,For this new record, I experimented in narrative and fiction“, sagt Mitski. Obwohl sie zögert, so weit zu gehen, zu sagen, dass sie vollwertige Charaktere erschaffen hat. Sie verrät: ,a very controlled icy repressed woman who is starting to unravel. Because women have so little power and showing emotion is seen as weakness, this `character‘ clings to any amount of control she can get. Still, there is something very primordial in her that is trying to find a way to get out.“ In ,Be The Cowboy“ erforscht Mitski die Einsamkeit, ein Symbol zu sein und die Einsamkeit, jemand zu sein, der sich wie ein niemand fühlt. Die Lead-Single ,Geyser“ stellt uns eine Frau vor, die nicht mehr alles halten kann. Sie ist dabei, eine Flut von Verlangen und Leidenschaft auszulösen, die sich in ihrem Innern angesammelt hat. Auf dem mit ihrem langjährigen Produzenten Patrick Hyland aufgenommenen Album gibt es jede Menge lebhafte Angeberei, aber genauso viel Hineinhorchen in die Mythologie des eigenen Ichs. In diesen 14 Liedern schwankt die Musik von fröhlich zu klagend. Traurige Klavierballaden gehen in trügerische Uptempo-Songs über. ,I had been on the road for a long time, which is so isolating, and had to run my own business at the same time. A lot of this record was me not having any feelings, being completely spent but then trying to rally myself and wake up and get back to Mitski.“

Hailed as the new vanguard of indie rock following the breakout success of 2016’s Puberty 2, Mitski returns with Be The Cowboy via Dead Oceans. Mitski’s carefully crafted songs have often been portrayed as emotionally raw, overflowing confessionals from a fevered chosen girl, but in her fifth album, Mitski introduces a persona who has been teased before but never so fully present until now—a woman in control. “For this new record, I experimented in narrative and fiction,” comments Mitski. Though she hesitates to go so far as to say she created full-on characters, she reveals she had in mind “a very controlled icy repressed woman who is starting to unravel. Because women have so little power and showing emotion is seen as weakness, this ‘character’ clings to any amount of control she can get. Still, there is something very primordial in her that is trying to find a way to get out.” In Be The Cowboy, Mitski delves into the loneliness of being a symbol and the loneliness of being someone, how it can feel so much like being no one. Lead single Geyser introduces us to a woman who can’t hold it all in any more. She’s about to burst and unleash a torrent of desire and passion that has been building up inside. While recording the album with her long-time producer Patrick Hyland, the pair kept returning to “the image of someone alone on a stage, singing solo with a single spotlight trained on them in an otherwise dark room. For most of the tracks, we didn’t layer the vocals with doubles or harmonies, to achieve that campy ‘person singing alone on stage’ atmosphere.” There is plenty of buoyant swagger on Be The Cowboy, but just as much interrogation into self-mythology. Throughout these 14 songs, the music swerves from the cheerful to the plaintive. Mournful piano ballads lead into deceptively uptempo songs. “I had been on the road for a long time, which is so isolating, and had to run my own business at the same time. A lot of this record was me not having any feelings, being completely spent but then trying to rally myself and wake up and get back to Mitski.”