This limited Sub Pop Loser Edition is Crystal Clear vinyl with purple swirl or regular black.This limited Sub Pop Loser Edition is Crystal Clear vinyl with purple swirl or regular black! There is plenty of drumming on the dozen songs on Elastic Days. But for those expecting the hallucinatory overload of Dinosaur Jr´s live attack, the gentleness of the approach here will draw easy comparisons to Neil Young´s binary approach to working solo versus working with Crazy Horse. This is a lazy man´s shorthand, but it still rings true. Elastic Days brims with great moments. Epic hooks that snare you in surprisingly subtle ways, guitar textures that slide against each other like old lovers, and structures that range from a neo-power-ballad („Web So Dense“) to jazzily-canted West Coasty post-psych („Give It Off“) to a track that subliminally recalls the keyboard approach of Scott Thurston-era Stooges („Drop Me“).

Since then, through the reformation of the original Dinosaur Jr lineup in 2005, J has recorded solo albums now and then. And those album, Sings and Chant for AMMA (2005), Several Shades of Why (2011) and Tied to a Star (2014) had all delivered incredible sets of songs presented with a minimum of bombast and a surfeit of cool. Like its predecessors, Elastic Days was recorded at J’s own Bisquiteen studio. Mascis does almost all his own stunts, although Ken Miauri (who also appeared on Tied to a Star) plays keyboards and there are a few guest vocal spots. These include old mates Pall Jenkins (Black Heart Procession), and Mark Mulcahy (Miracle Legion, etc.), as well as the newly added voice of Zoë Randell (Luluc) among others. But the show is mostly J’s and J’s alone.